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Andersson Bell

品牌档案与穿搭方法Brand archive & style notes

2 篇内容2 stories

浅色丹宁外套以腰带收住,拼接丹宁下装和棕色长靴形成材质层次。
穿搭方法Style notes

基本款不再只求干净

Basics with more than a clean finish

近期能读到的一个编辑信号,是过度平滑、颜色统一的 Clean Girl 造型正在让出一些位置。但这不等于趋势已经终结。更值得注意的是,基本款仍然熟悉,只是开始允许材质、比例或一处冲突进入画面。One recent editorial signal suggests that very smooth, uniformly coloured Clean Girl outfits are making a little room for other approaches. That does not establish the end of a trend. The useful observation is that familiar basics are allowing texture, proportion or one contrasting element into the outfit.

黑色窄上装落在灰色工装裤之上,裤腰位置较低。
穿搭方法Style notes

高腰不再一统女装比例

More than one place for the waistline

最近值得记录的女装比例变化,不是高腰突然失效,而是腰线开始出现在更多位置。封面的灰色工装裤落在胯部,窄上装与蓬松裤腿直接相接;Andersson Bell 的两套造型又把低腰分别放进宽裤和轻薄半裙里,效果一个利落,一个松散。The change worth recording in womenswear proportions is not that high waists suddenly stop working. Waistlines are appearing in more positions. In the opening photograph, grey cargo trousers sit at the hips, connecting a narrow top directly to fuller legs. Two Andersson Bell looks place low waists in wide trousers and a light skirt, with one appearing sharper and the other looser.

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