Levi’s

最近值得记录的女装比例变化，不是高腰突然失效，而是腰线开始出现在更多位置。封面的灰色工装裤落在胯部，窄上装与蓬松裤腿直接相接；Andersson Bell 的两套造型又把低腰分别放进宽裤和轻薄半裙里，效果一个利落，一个松散。The change worth recording in womenswear proportions is not that high waists suddenly stop working. Waistlines are appearing in more positions. In the opening photograph, grey cargo trousers sit at the hips, connecting a narrow top directly to fuller legs. Two Andersson Bell looks place low waists in wide trousers and a light skirt, with one appearing sharper and the other looser.